The Gilded Age

Bertha finalizes the guest list for the ball and faces the consequences; Dr. Kirkland makes a decision.

Bertha finalizes the guest list for the ball and faces the consequences; Dr. Kirkland makes a decision.

Mrs Astor discusses the future of her Newport ball with Bertha; Larry receives disturbing news; Mrs Kirkland gets information about Peggy.

Mrs Astor discusses the future of her Newport ball with Bertha; Larry receives disturbing news; Mrs Kirkland gets information about Peggy.

Marian has doubts.

Marian has doubts.

Gladys adjusts to her changed circumstances; Larry runs into a familiar face; Peggy gets an opportunity from an old colleague.

Bertha deals with unwanted rumors in the press and the surprise arrival of her sister Monica.

George negotiates with the Duke.

Amid their domestic quibbles, Agnes and Ada welcome the Scotts into their home; Bertha and George disagree about Gladys's future.

George has ambitious plans to build a railway line between New York, Chicago and Los Angeles, but his plans are met with resistance; Bertha is busy preparing for the Duke's arrival.

Bertha deals with unwanted rumors in the press and the surprise arrival of her sister Monica.

The staff questions its future at Rhijn's house, just as Peggy questions her future at The New York Globe; Marian confesses her true feelings to Dashiell; the opera war reaches its climax.

As New York celebrates a historic event, Bertha reconsiders her loyalty to the Met while Marian has doubts about her future.

As George heads to Pittsburgh to deal with the potential strike, Bertha learns that the Duke will return for the Metropolitan Opera's opening night; Bannister tries to retrieve an incriminating letter from the Russell house.

After sharing her news, Ada questions moving ahead without Agnes' support; Peggy experiences the dangers of the South.

Bertha angles for position with a visiting Duke; with Marian's help, Ada continues to see Mr. Forte; Peggy travels to Alabama.

A surprise guest attends Bertha's fundraiser; Ada organizes a luncheon for Mr. Forte; Peggy presses Mr. Fortune about Tuskegee.

George delivers a final decision to Oscar; Peggy is welcomed back into the Van Rhijn household by all but one; Marian meets a new match.

Agnes shares news of her nephew Dashiell's imminent arrival in New York; Bertha decides to back the new Metropolitan Opera House.

Marian's grand plan is threatened; Bertha and Mrs. Astor lock horns over Gladys' debut; Peggy is stunned.

Peggy reveals the truth about her past; George's day in court arrives; Marian considers her romantic future.

As Edison's illuminating electricity demonstration sparks conversation, George prepares for a legal battle, and Bannister plots revenge.

As George fights to protect his public image, Agnes' status quo is disrupted; Armstrong intensifies her campaign against Peggy.

Bertha, Marian, Aurora, and Peggy make an overnight trip to see Clara Barton speak; Gladys' desired beau is invited to dinner.

In the aftermath of a tragedy, George agrees to help Bertha; a visit has a lasting impact on the staff of Russell house.

An unfortunate development finds George's new rail station under threat; Marian continues to see Mr. Raikes despite Agnes' warnings.

Marian receives a visit from Tom Raikes, whose legal advice Peggy seeks; the Russells take center stage at a charity bazaar.

In 1882, Marian arrives at the home of her ``old money`` aunts Agnes and Ada, whose new neighbors vie to break into New York high society.

George negotiates with the Duke.

Amid their domestic quibbles, Agnes and Ada welcome the Scotts into their home; Bertha and George disagree about Gladys's future.

George has ambitious plans to build a railway line between New York, Chicago and Los Angeles, but his plans are met with resistance; Bertha is busy preparing for the Duke's arrival.

Gladys adjusts to her changed circumstances; Larry runs into a familiar face; Peggy gets an opportunity from an old colleague.

Marian receives a visit from Tom Raikes, whose legal advice Peggy seeks; the Russells take center stage at a charity bazaar.

In 1882, Marian arrives at the home of her "old money" aunts Agnes and Ada, whose new neighbors vie to break into New York high society.

In the aftermath of a tragedy, George agrees to help Bertha; a visit has a lasting impact on the staff of Russell house.

Bertha, Marian, Aurora, and Peggy make an overnight trip to see Clara Barton speak; Gladys' desired beau is invited to dinner.

An unfortunate development finds George's new rail station under threat; Marian continues to see Mr. Raikes despite Agnes' warnings.

As George fights to protect his public image, Agnes' status quo is disrupted; Armstrong intensifies her campaign against Peggy.

As Edison's illuminating electricity demonstration sparks conversation, George prepares for a legal battle, and Bannister plots revenge.

Marian's grand plan is threatened; Bertha and Mrs. Astor lock horns over Gladys' debut; Peggy is stunned.

Peggy reveals the truth about her past; George's day in court arrives; Marian considers her romantic future.

After sharing her news, Ada questions moving ahead without Agnes' support; Peggy experiences the dangers of the South.

A surprise guest attends Bertha's fundraiser; Ada organizes a luncheon for Mr. Forte; Peggy presses Mr. Fortune about Tuskegee.

Bertha angles for position with a visiting Duke; with Marian's help, Ada continues to see Mr. Forte; Peggy travels to Alabama.

George delivers a final decision to Oscar; Peggy is welcomed back into the Van Rhijn household by all but one; Marian meets a new match.

As George heads to Pittsburgh to deal with the potential strike, Bertha learns that the Duke will return for the Metropolitan Opera's opening night; Bannister tries to retrieve an incriminating letter from the Russell house.

Agnes shares news of her nephew Dashiell's imminent arrival in New York; Bertha decides to back the new Metropolitan Opera House.

The staff questions its future at Rhijn's house, just as Peggy questions her future at The New York Globe; Marian confesses her true feelings to Dashiell; the opera war reaches its climax.

As New York celebrates a historic event, Bertha reconsiders her loyalty to the Met while Marian has doubts about her future.