Pocket Sketching With Kath Macaulay

Sketching people in the distance; how to get people in public to willingly pose for you.

Keeping things portable and mobile to fit every scenario.

Illustrating the reason for compact and portable equipment.

Sketching in a parking lot outside, showing how to move elements to be used into a pleasing design.

What a person up close can look like when trying to sketch them; the importance of props and what the person is doing.

Sketching people in the distance; how to get people in public to willingly pose for you.

Working with unlimited color and distortion.

Kath illustrates the change of perspective if eye level changes.

How to ``see`` outdoors when stuck inside; putting items together to make a still life.

How to cancel fears and be able to simply have a great time and revel in a ``it doesn't matter`` mentality.

Using a permanent pen for very quick sketches that provoke memory; using dilute paint as a medium; utilizing a larger pad of paper.

Sketching while traveling; the importance of limiting time of execution to keep work fresh and interest peaked.

An unusual way to politely repel interference; how to use a bag as an easel; how to use the pen and brush for wash drawings.

Keeping things portable and mobile to fit every scenario.

There are no rules or expectations for quality of work when pocket sketching -- the only demand is to create, learn and relax.

There are no rules or expectations for quality of work when pocket sketching -- the only demand is to create, learn and relax.

Working with unlimited color and distortion.